(SOLD) Hand Painted Copper Shakyamuni Buddha Statue 22" Item #9n12
Materials: Lost Wax Method, 24k Gold Plated, Hand Painted Copper
Origin: Made in Nepal
Tibetan Name: Shakya Tubba
Height: 22 inches, 55.88 cm
Width: 18 inches, 45.72 cm
Depth: 14 inches, 35.56 cm
Weight: 30 pounds
Description
NOTE: This statue will ship from our showroom in Patan, Nepal. Please allow 7-10 days for delivery.
This piece is
unquestionably a contemporary masterpiece!! It was made by Mohan, a
revered Newari artist in Nepal and it is absolutely stunning!
Brenda,
Dharma Sculpture
This is lovely rendition of Shakyamuni
Buddha! Lord Buddha has a serene expression and a hypnotizing gaze in
his eyes.
The Buddha Shakyamuni, at the moment of
enlightenment, invoked the earth as witness, as indicated by the
fingers of his right hand, which spread downward in bhumisparsha
mudra, "the earth touching gesture". As the Buddhist sutras
narrate, the sun and moon stood still, and all the creatures of the
world came to offer respect to the Supreme One who had broken through
the boundaries of egocentric existence. All Buddhist art celebrates
this moment and leads the viewer toward the Buddha's experience of
selfless and unsurpassed enlightenment.
Buddhist art
pictures the Buddha in numerous manifestations, but always as a model
of human potential, never as a historically identifiable person. All
forms of the Buddha, however, are commonly shown seated on a lotus
throne (as seen here), a symbol of the mind's transcendent
nature.
"Be a light unto yourself," Buddha
Shakyamuni declared at the end of his life. Become a Buddha, an
awakened being, he urged, but never a blind follower of
tradition.
This Buddha statue has the distinguishing
marks that designate his celestial status, such as the cranial bump
(ushnisha) and the conspicuous mark in the middle of his forehead
(urna). He wears a distinctive robe elaborately decorated with
elegant flowing floral motifs. In the back of the base is the wheel
and deer emblem. The Buddhist emblem of a golden eight-spoked wheel
flanked by two deer represents the Buddha's first discourse, which he
gave in the Deer Park at Sarnath, near Varanasi. This discourse is
known as the 'first turning of the wheel of dharma', when the Buddha
taught the doctrines of the Four Noble Truths and the Eightfold Noble
Path to five Indian mendicants.
As a symbol of the Buddha's teachings a
gilded three-dimensional wheel and deer emblem is traditionally
placed at the front of monastery and temple roofs, from here it
shines as a crowning symbol of the Buddhadharma. This emblem
similarly appears over the four gateways of the divine mandala
palace.
There are 2 separate pieces to this statue: the
Buddha and its double lotus base. This copper statue is fully gold
plated with 24k gold and then hand painted. The face of the Buddha is
painted with a 24k gold mixture. The gold is crushed into
a powder and then made into a paste. The gold paste is mixed
with an organic paint mixture then used to paint the most important
part of any Buddha statue; the face.
This piece is
unquestionably a contemporary masterpiece!!
About Shakyamuni BuddhaTibetan Name: Shakya Tubba
The Buddha Shakyamuni, at the moment of
enlightenment, invoked the earth as witness, as indicated by the
fingers of his right hand, which spread downward in bhumisparsha
mudra, "the earth touching gesture". As the Buddhist sutras
narrate, the sun and moon stood still, and all the creatures of the
world came to offer respect to the Supreme One who had broken through
the boundaries of egocentric existence. All Buddhist art celebrates
this moment and leads the viewer toward the Buddha's experience of
selfless and unsurpassed enlightenment.
Buddhist art
pictures the Buddha in numerous manifestations, but always as a model
of human potential, never as a historically identifiable person. All
forms of the Buddha, however, are commonly shown seated on a lotus
throne, a symbol of the mind's transcendent nature.
"Be
a light unto yourself," Buddha Shakyamuni declared at the end of
his life. Become a Buddha, an awakened being, he urged, but never a
blind follower of tradition.